Fashion, people & place.
An editorial perspective.
For brands, agencies & international clients.
Fashion stories and portraits, throughout the year.
Your project · My perspective
I am Jérémy Froeliger, a fashion and editorial photographer working in Paris and available for projects across France, Europe and internationally. I photograph clothing and products worn by models, brand imagery, editorial portraits, street style and personal branding. I work with brands, agencies, designers, talents and international clients, throughout the year.
From a one-hour portrait session to a full day, several days or a week-long production, the format follows your project. I bring ideas for light, movement and composition, while adapting to the designer’s vision, your visual references and the identity you want to communicate.
Tell me about your project, dates, locations, the people or products to be photographed and the intended use of the images. We will discuss the brief, check availability and define the production, delivery schedule and image usage in a tailored quote.
Share your creative briefMy fashion experience & creative team · Formats, delivery & image usage
On location in Paris · The film
The story
As a fashion and editorial photographer in Paris, I create portraits and visual stories shaped by clothing, light, movement and the people in front of my camera. This approach suits fashion shoots for brands, agency-led projects and personal editorial sessions for international clients visiting Paris.
This featured series brings that approach to life. During Paris Fashion Week, I photographed members of the Tom Ford team who had travelled to Paris for the occasion. Over three days, these personal portrait sessions followed them through two of the city’s most distinctive hotels and onto Place Vendôme. Every outfit in this story is Tom Ford.
The first two days unfolded at The Peninsula Paris, with access to suites, corridors and rooftop spaces. On the third day, we moved to the Ritz Paris and Place Vendôme. Across those settings, the images shift between deliberately composed fashion portraits and the small, unplanned gestures that make a couple’s story their own.
01 / Day two · The Peninsula Paris
For the second day, we worked in one of The Peninsula’s largest suites and across its rooftop spaces, with views of both the Eiffel Tower and the Arc de Triomphe. The open sky gave the portraits a different scale: sharper silhouettes, city rooftops and a darker Tom Ford wardrobe.
Back inside, leather, an armchair and direct flash set the tone for a more deliberate fashion sequence. The stillness of a pose sits alongside the energy of a moving coat and the warmth of an unguarded moment together.
02 / Day one · The Peninsula Paris
At The Peninsula Paris, the hotel became part of the visual language: long corridors, reflective surfaces, quiet suites and the brief transition from one room to the next. The first day brought a green suede jacket, black-and-white silhouettes and portraits shaped around the lines of the Tom Ford wardrobe.
I gave the posed images a clear structure, then left room for movement and closeness. Direct flash makes the textures tangible; a glance or a smile changes the mood.
03 / Day three · Ritz Paris & Place Vendôme
On the third day, we had the chance to photograph at the Ritz Paris and continue the editorial series on Place Vendôme. The mood changed again: denim, leather, a textured jacket and a more relaxed rhythm, still dressed entirely in Tom Ford.
The square gave us space to work with distance and architecture. We alternated full-length poses, details of the clothes and walking images, bringing the three-day story back to the couple moving through Paris together.
Experience · Collaboration
I have repeatedly worked with professional models on styled and inspiration shoots, particularly in bridal fashion. My experience includes work with leading labels such as VIKTOR&ROLF and shoots in Venice. Across bridal and fashion projects, the artistic approach shares the same foundations: understanding silhouette and fabric, directing a person in front of the camera and shaping the light around the image.
I work with a creative team that includes a photography assistant, a lighting assistant and designers who support the visual direction. We define the team and production needs around each project, so the setup fits both a compact portrait session and a more developed fashion shoot.
The people in the featured Paris series were members of the Tom Ford team, rather than professional models. My experience directing models also helps me guide people who are less familiar with a camera, with clear direction and room for their own personality.
For more about my approach and background, meet Jérémy Froeliger. See my press and published work, or explore how this visual perspective translates into editorial couple portraits at the Louvre.
Editorial commissions · Paris
For a fashion brand, an agency accompanying an international team, or a client looking for expressive portraits in Paris, the starting point is your brief. Share your dates, the people or collection to be photographed, your visual references and the intended use of the images. Sessions can be planned throughout the year, including during Paris Fashion Week.
For clothing brands and designers, an editorial approach connects the collection, including products worn by models, with a setting and a visual story. Full-length silhouettes, closer portraits and details of fabric or accessories can work together as a coherent series. The creative direction and image requirements are defined around your brief.
Agencies can enquire about portrait sessions and fashion shoots for their clients, talents or visiting teams in Paris. Include the schedule, number of people or looks, planned locations and publication needs so the scope, delivery schedule and image usage can be agreed before the shoot.
Street style sessions bring clothing into the rhythm of Paris: walking images, architectural settings and portraits with a sense of movement. Personal branding and editorial portrait sessions offer the same attention to silhouette and expression, whether you are a creative professional, a talent, travelling alone, as a couple or with a team.
Hotels and their guest teams can enquire about fashion-inspired portraits for guests and visiting talents. Indoor locations, terraces and other private spaces depend on the property's permission and availability; the locations in this featured series describe this particular shoot.
My approach starts with silhouette, light and composition. Clear direction gives a portrait structure; movement and the relationship between the people in front of me give it character. A quiet suite, a corridor or a Paris rooftop can each bring a different mood to the same editorial story.
A shoot can last an hour, a day, two or three days, or extend across a week. I travel throughout France, Europe and internationally; the schedule, travel and production requirements are agreed for each project.
The image selection, final deliverables and delivery deadline are defined around your brief. If you have a publication or launch date to meet, tell me before booking so I can plan the work around the agreed deadline.
Image usage is tailored to the rights you require: publication channels, territories and a fixed term or an agreed use without a time limit. The quote records the deliverables, schedule, production scope and usage terms so the project is clear before the shoot.
Planning your shoot
Yes. Enquiries are welcome throughout the year for fashion shoots, street style sessions and editorial portraits in Paris. Availability is confirmed for your requested dates.
Brands, designers and agencies can enquire about fashion photography and editorial portraits in Paris. Send a brief outlining the people or collection, visual references, locations and intended image usage.
Yes. I travel across France, Europe and internationally. Sessions can range from an hour to several days or a week, with production needs and delivery deadlines agreed in the quote.
Hotel interiors and rooftops can be considered when permission is secured. Access is arranged for each project and is not guaranteed by the locations shown in this portfolio.
Share your dates, preferred locations, number of people or looks, visual references, budget, intended publication channels and required delivery date. These details help define the shoot and the agreed image usage.